Oct 26, 2009
Oct 15, 2009
A Micro/Macroscopic look at the world of Rodolfo Rojas-Rocha
by Donna Rae Kessinger
P.O. Box 30325 NY, NY 10011
Rodolfo Rojas-Rocha and I met at an art opening at the Miami Art Center (800 Lincoln Road Gallery) during Art Basel-Miami Beach 2007. He is a prolific painter, professor and community educator. Rojas-Rocha (1968) was raised in Costa Rica and he has had 20 solo shows and more than 90 national and international exhibitions (New York, Mississippi, Cartagena, Panama, Nicaragua, El Salvador among other countries), is a member of Costarrican Visual Artists Association (ACAV), and serves on the Ministry of Education and PROCESOS as an artistic education Consultant. Remarkably, seven months from Art-Basel, I found myself exploring the Arts and Culture of San Jose, Costa Rica. I spent ten days meeting with contemporary Costarrican Artists in local galleries and in their studios. I quickly found myself in a world that appears quite different from mine on the surface, but when it comes to being Artists, we are of the same heart.
I asked Rodolfo to describe his upcoming mural / drawing project scheduled at the Media Project Space, Gallery Aferro in Newark, New Jersey, Zoomitograhy Rhizome:
I am interested in doing a performance that challenge(s) the audience to think about the rhizome drawing and consider ‘what art is’…I would like to improvise and incorporate sounds while I am drawing. The performace might be a series of intimate gestures taken from action drawing.
The installation will be a combination of conceptual maps, handmade media combined with cognitive thinking, theory of art, performative elements, along with innovative lighting techniques.
When asked to describe his work he replied, (It is) the way to think about nature around me, related with the micro and macro world. Since the space between rain forest to the sky.
Rojas-Rocha incorporates non-linear and rhizomatic images in collage with relationships and patterns cultivated from nature. He works in oil, acrylic, mixed media and site-specific drawing layered with natural imagery found in the rain forest. A common theme in his art is the examination of a simultaneous microscopic and macroscopic reality that is based on human anatomy, muscles, fiber of animal, vegetable and mineral elements, along with ideological aspects of the Costa Rican mythological, including pre-Columbian symbols. His works on canvas bring to mind the early biomorphic paintings of Terry Winters, while crossing the territory between human anatomy, nature and Costa Rica mythologies. His paintings explore a deep exchange of color taken directly from the palette of the Costa Rican Landscape.
Rojas-Rocha is not afraid to use applied technology in his work, whether in the classroom or exhibiton space. He employs 3-D Google Maps teach Design History alongside his Janson, Art History Book, and the Metropolitan Museum’s Timeline of Art History; http://www.metmuseum.org/toah/
He pulls the combined media together to bring innovative methods of learning to his students. This reflects his approach to his own art. He uses conceptual maps to think forward about his creative process, in order to help better organize and visualize ideas, or topics. A conceptual map is a special form of a web diagram for exploring knowledge and gathering and sharing aesthetic information.
Rodolfo: In my work drawing a concept mapping is the strategy employed to develop Art. A concept map consists of nodes or cells as rhizomatic links, which contain an image, words and lines. The links are labeled and denote direction with an arrow symbol related with muscles and organization structure. The labeled links explain the relationship between the nodes. The arrow describes the direction of the relationship and reads like a visual sentence.
Rojas-Rocha adds, I am interested in hybridized culture… an approach to the contemporary artistic image. Culture means transform(ing) nature; I transform culture with a rhizomatic drawing. My drawings have fibers, nodes, buds, and tiny figures that will create a composition along the wall. The rhizome is a pattern of life…a fleshy stem that grows horizontally, as a food-storing organ, beneath the surface of the ground, and enables a plant to reproduce. The wall is the surface where I will draw the process as stem. Lines and forms will be visible and will grow as a plant in a forest
Rodolfo Rojas-Rocha’s solo Exhibiton in Gallery Aferro’s New Media Project Space will open the last weekend of October in 2009, and will correspond with, The Open Doors Artist's Studios and Available Space Tour, an annual event organized by the Newark Arts Council. The Tour features a number of curated and juried exhibitions featuring Art from Newark and surrounding areas while showcasing available artists' space; performance art. Check out http://www.aferro.org and www.newarkarts.org, for workshops and related events. Also see Rodolfo’s website http://www.rojasrocha.com for images of his work and updated exhibiton information. Gallery Aferro can be found at 73 Market Street, located in Downtown Newark. Newark has a rapidly growing art scene that is less than thirty minutes from Manhattan by train, and is within walking distance to the world famous Iberian culinary delights of the Portuguese / Spanish neighborhood known as the Iron Bound.
*Donna Rae Kessinger is a working Artist and Curator, based in the New York Metro Area, whose focus is mainly on projects that encourage collaboration between emerging artists and communities, resulting in a marriage of art and commerce in the form of a possible intervention / performative work, public art project, or traditional gallery exhibition.*
Oct 2, 2009
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